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Speech Teaching Squelch UHF Wireless Microphone 30MHz Band Width
|Frequency Stability||±0.005%, Phase Lock Loop Frequency Control||Carrier Frequency Range||UHF 510-937 MHz ( Country Dependent )|
|Sensitivity||6dBμV, S/N>60dB At 25 Deviation||S/N||＞105dB|
UHF Wireless Microphone 30MHz Band Width,
30MHz Band Width squelch wireless mic,
Squelch UHF Wireless Microphone
New design UHF Wireless Microphone high quality speech teaching Digital Mic
Main Frame Size
EIA-Standard 19" 1U
|Frequency Stability||±0.005%, Phase Lock Loop frequency control|
|Carrier Frequency Range||UHF 510-937 MHz ( country dependent )|
|Preset Channels||32 preset channels|
|Operating Range||100M typical ( in open space)|
|Sensitivity||6dBμV, S/N>60dB at 25 deviation|
|Max. Deviation Range||±45KHz|
|T.H.D.||＜0.7% @ 1KHz|
|Squelch||“PiloTone & NoiseLock” dual-squelch circuit|
|Power Supply||100-240V AC50/60 Hz, 10W|
|Dimension||480(W) X 195(H) X 45(D) (mm)|
|Receiver Output Connector||XLR balanced & 6.3φ phone jack unbalanced|
• This UHF wireless microphone employs PLL frequency synthesized technology to provide highly stable,selectable frequencies,which ensures excellent sound quality and decreases drop-off.
• Infrared synchronization technology enhances frequency search and pairs up receiver and transmitter quickly.
• This professional wireless dynamic handheld microphones offers a great frequency response with a cardioid pickup pattern to isolate the primary sound source and minimize background noise, it offers pristine vocal sound.
• UHF wireless capability provides a stronger clearer signal and better sound quality, reducing the possibility of interference and dropouts.Works in the range of 50m, you have total freedom when you’re singing on stage, taking assembly at school,using them for houses of worship or presentation halls.
KH-6300 High Quality Dual Channel Wireless Microphone for Karaoke Stage Performance
• 1U standard cabinet design structure with metal shell, dual channel reception;
• automatic selective reception mode is adopted to minimize reception interruption;
• infrared data automatic synchronization function (sync);
• phase locked loop synthesis tuner (PLL) with the most stable characteristics can effectively block noisy RF interference in the environment;
• 600 UHF optional channels and 32 frequency groups that do not interfere with each other preset by the factory;
• LED screen, without viewing angle, can clearly display system data from any angle;
• balanced XLR output and unbalanced 6.3 (1 / 4 ") output;
• the transmitter adopts ultra wideband 120mhz, which is suitable for KTV boxes, school classrooms, multi-function halls and public broadcasting, with high requirements. It has the professional quality of easy installation, simple operation and stable characteristics.
Suitable for Large-scale performances ,small and medium-sized performances, outdoor singing and speeches, KTV boxes, classrooms, gymnasiums, offices and government agencies
There are, of course, digital compression plug-ins, but analog compression has its own sound. Unlike the DSP offered by competing models, the compression isn't combined with EQ, so you can confidently EQ the recording later in software and not have to worry about whether it's something that has already had EQ applied.Are the Hype modes useful? I'll offer up an enthusiastic yes. I'm not a huge fan of Smash mode, but the other two offer up some subtle possibilities for dynamically compressing a signal and not destroying the recording in the process. I'd be far less of a fan if you couldn't disable the compression, but having it there as a tool is exceptionally useful, particularly if your recording setup lacks compression currently.