OEM professional Studio Recording Condenser Microphone for Broadcasting

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About this item

1. Handheld Condenser microphone with XLR analog output

2. XLR output connects to your computer for digital recording, while the XLR output connects with your sound system's conventional microphone input for use in live performance

3. Smooth, extended frequency response ideally suited for podcasting, home studio recording, field recording, voiceover, and on-stage use

4. Built-in headphone jack allows you to directly monitor from your microphone

5. Adjust headphone volume with easy-to-use controls on the bottom of the microphone

6. Supper Cardioid Dynamic Microphone for vocal amplification, cardioid mic pick up pattern, build in ultra-wide and pop filter to separate background noise and delivering clear sound.

7. Gold-plated dynamic karaoke microphone xlr connector promise accurate transmission of voice, easy to connect and use with including shock mount system reduces handling noise and simple lockable with on/off switch

8. All metal construction cardioid singing microphone ensures long life. Durable zinc die cast housing with black metallic finish and grille featuring classic black ball grille.

9. Great for everyday or occasional use with excellent studio and live performance such as live musical performances, public speaking, podcasts, recording, singing, karaoke microphone, wedding, stage and outdoor activity

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for every compression mode, you can always dial the gain back a little more to lessen the intensity of the compression. Or you can go in the opposite direction to use the compression as more of a layered-on effect, if that's the goal.

The third mode, Smash, feels more like an effect. Apogee recommends it for podcast vocals and a radio broadcast sound, but we'd recommend either avoiding this mode, or using it with a very low gain setting. With the gain at the highest level it can go to without distorting in this mode, but the vocals are absolutely, well, smashed. It's a recognizable sound—radio DJs typically have super-compressed vocal mics so they can yell and get quiet without any perceived volume drop-off for the listener. But that doesn't necessarily make for well-recorded vocals. Dialing back the gain in Smash mode, you can find a useful level for recording intense vocals if you've got a singer (or a podcaster) who's going to yell, this mode will tame the vocals and keep things from getting fuzzy.